As We Wish Our Souls to Be
Opening Lines from Shelley's "Julian and Maddalo":
I RODE one evening with Count Maddalo
Upon the bank of land which breaks the flow
Of Adria towards
Of hillocks, heaped from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste but one dwarf tree and some few stakes
Broken and unrepaired, and the tide makes
A narrow space of level sand thereon,
Where 't was our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be;
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remembered friend I love
To ride as then I rode;--for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripped to their depths by the awakening north;
And from the waves sound like delight broke forth
Harmonizing with solitude, and sent
Into our hearts aƫrial merriment.
8 Comments:
How lovely this is :)
"The pleasure of believing what we see Is boundless, as we wish our souls to be" - it even reminds me of my holidays. *sigh* Even that common thought occured to me - it's impossible for anything bad to happen at this place (but it wasn't Tiffany's, only the coast).
DM, it's good to hear from you again. Of course, going back to Shelley was inspired by your recommendation of Jude Morgan's Passion. With my recent bouts with the grunge, it's been slower going than I'd like, but I'm about three-quarters through. Even this far in, I find I'm fascinated at how Keats has still not appeared. I've done more reading of Keats than the other two, so I can feel him around; not to mention that he is a fellow Scorp. At this point, I find myself most drawn to Mary Godwin and Lady Caroline Lamb: I feel the struggle of her brilliance and madness, and the courage of her honesty.
Oh I understand - I was worried about Keats not appearing too. I looked at the book and it appeared to be ending and I asked: where is he?
But he'll be there :)
I loved Caroline and the way she addresses the reader :)
DM, it fits that Keats' presence should be so ghostly, dead so young, living through his after.
The opening pages with Mary's mother are awesome as well.
In reading this piece, I feel as though I have just taken a journey into a vast and spacious land. My heart is full in an endless way,I thank you.
Tammie: It was nice to re-discover Shelley after many years of staying ensconced with contemporary poets.
This resonates with me, Paschal. I've seen such scenes before along the Texas coast and byways. Was all of that Shelley's or was some of it yours? When it talked about the lone fisher and the one dwarf tree and a few broken stakes I remembered your Blue Heron poem which I still keep because it is worth rereading. So is this. Thank you!
Peace & Hope!
Lee
PS. I especially felt the phrases "I love all waste and solitary places", "believing what we see is boundless, as we wish our souls to be; and such was this wide ocean, and this shore More barren than its billows; and yet more Than all."
Most excellent!
Lee: The poem excerpt is all Shelley: Julian and Maddalo are actually pseudonyms for Shelley and Byron: Julian for Shelley and (Count) Maddalo for Byron. Reading Shelley over the past couple of weeks, it was a nice enough (and manageable) chunk to include in the blog.
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