Devotion
Mother Mary (2008) by Tina Karagulian
Donated to the Our Lady of
About sixteen years ago, two years before I awakened to my spiritual adoption by the Yoruban goddess Yemaya, I ran across China Galland’s book Longing for Darkness, in which she chronicles her journey away from Catholicism into Eastern spirituality, then further into the sacred feminine dark (the Sufis’ radiant dark), only to have the dark goddesses of the East lead her full circle back to Our Lady of Czestochowa, also known as the Black Madonna. This was a time of deep spiritual exploration for me as well, and the sense of radiance in a sacred darkness, holiness in the dark, resonated strongly with my journey at the time.
As
But find her I did, in east San Antonio, on tiny Beethoven Street, in an oddly shaped chapel, surrounded by a half dozen cottages in which lived a community of Polish nuns dedicated to living in her grace and the peace she inspires. And on the morning of March 13, 1998, while standing in the gorgeous blue-stained light of one of her stained glass windows, Tina and I felt so blessed by her grace as to feel married in her sight. Our civil ceremony in Walden, Vermont in August of that year, while blessed in its own right—well, we consider the Vermont ceremony our renewal vows.
When we moved to
Here’s local Tres Leches poet-extraordinaire Naomi Shihab Nye in a poem I read a few days ago:
I Feel Sorry for Jesus
I know he said, wherever two or more
are gathered in my name…
but I’ll bet some days He regrets it.
and doesn’t want
as if they just got an e-mail.
Remember “Telephone,” that pass-it-on game
by the time it rounded the circle?
Well.
People blame terrible pieties on Jesus.
Jesus deserves better.
I think he’s been exhausted
for a very long time.
He didn’t go into the pomp.
He didn’t go into
the golden chandeliers
See? I’m talking like I know.
It’s dangerous talking for Jesus.
You get carried away almost immediately.
I closed my eyes where he died and didn’t die.
Every twist of the Via Dolorosa
was written on my skin.
for Him, you know? A secret pouch
of listening. You won’t hear me
mention this again.
3 Comments:
Beautiful words, Paschal. And Tina's painting is beautiful. How appropriate that it graces (pardon what sounds like a gratuitous pun) the Tres Leches Chapel of the Black Madonna. I envision Tina's Mother Mary, lifting her hand there in the blue-stained light (as you so gracefully described it), twisting that wry little smile of hers ever so subtly a degree or two, deLIGHTED by the destiny of residing (t)here.
I believe Nye's poem is an apt companion here. No, it's not about Mary. But it's about Jesus as Mary might talk about him. And I will look into the Galland book. A painter we represent did a series of Black Madonna portraits twelve or so years ago. And of course, Our Lady of Guadalupe figures very prominently in the spiritual tapestry that is Santa Fe. When, however, she emerges on the back of an astronomically priced piece of "Art to Wear," I look the other way in embarrassment.
the painting is beautiful...and i can't help but think that you've all found that space where one feels intamitely linked to within ones soul, an always coming home to space, that space you know you've left immediately and upon return release that breath you didn't realize you were holding.
San: I will pass your words on to Tina. I like your idea of Naomi's poem being written in Mary's voice: being a mother is as much a part of Naomi's voice as her many other facets.
jsd: You said it: the Black Madonna's "greenspace" in a quiet unassuming nook of the eastside is definitely a spiritual home.
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